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Etching. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. $250.00. Sale 11965 Fifty Prints by Rembrandt van Rijn A Private English Collection. They will be in some classy company, exhibited alongside 30 prints made from copper plate etchings by Rembrandt Harmenszoon van Rijn, the Dutch master who lived from 1606-1669. Sheet has some slight cockling, with some areas of sheet not lying perfectly flat. Beggar Man and Beggar Woman Conversing For further information on this lot please visit the (19th century impression). rais. In this area there is some slight discoloration. Rembrandt prints were reproduced from his original etching plates well after Rembrandt’s death. within image Rembrandt.R/1636 dry point etching on laid paper (strong contrasts), 4.25 by 3.75 in., narrow margins; floating mount, framed under glass 16 by 13 in. How do I obtain an acceptable photograph. $25,000 - $35,000. Etching, circa 1630-1631, but a slightly later impression on wove paper without watermark, New Hollstein's final state (of seven), trimmed on or just within the platemark, sheet 39 x 34 mm (1 1/2 x 1 3/8 in) (unframed) Description: Description: R's. G.Biörklund, Rembrandt's Etchings True and false, 1968. Frame: 14 7/8 x 13 5/8 x 1 1/2 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Each rembrandt art print is produced using archival inks, ships within 48 hours, and comes with a 30-day money back guarantee! REMBRANDT VAN RIJN (1606-1669) Description: cm. A Scholar in his Study ('Faust') Circa 1652. If you are using a personal computer, try right-clicking on the photo file with the mouse and then selecting the ‘Email’ or ‘Sent to’ feature. Part of sheet (bottom) has margins, with partial margins at left/right outer edges, the rest of those edges the margin is trimmed away. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. c. 1647. Description: All transactions are governed by Freeman's Conditions of Sale. The condition report may not refer to all faults, restoration, alteration or adaptation because Freeman''s is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Freeman's. Man Drawing from a Cast, Lot 1: The Raising of Lazarus: The Larger Plate, Lot 1: Rembrandt van Rijn (1606-1669) Old beggar woman with a gourd, Lot 1: REMBRANDT VAN RIJN (Netherlands, 1606-1669), Lot 1: Rembrandt Harmensz Van Rijn, Eur. RECUEIL DE QUATRE–VINGT CINQ ESTAMPES ORIGINALES Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale. Pages de garde jaunies et oxydées, mouillures, rousseurs, quelques taches, traces de plis ondulés, petites amincissures, bords un peu jaunis. Condition: previously framed. Old beggar woman with a gourd All transactions are governed by Freeman's Conditions of Sale. In preparing this Online Appraisal, we will consider various factors based on our expertise including but not limited to the condition of the piece, recent sales of comparable pieces, age, provenance, and basic physical condition. A 20th Century impression printed by master printer, Marjorie Van Dyke. Sheet size: 9 7/8 x 6 5/8 inches (250 x 170 mm). 1 mm long. All transactions are governed by Freeman's Conditions of Sale. or Best Offer. Sheet size: 6 x 4 7/8 in. Most will even prompt you to reduce the file size before you hit ‘Send’. Creery in “A Collection of 200 Original Etchings,” London, 1816. L'album contient le titre, la table, un portrait de Rembrandt par L.A. Claessens, et 80 gravures de Rembrandt (dont la mort de la Vierge et la grande descente de croix), 42 copies ou autres planches d'après ou de l'entourage de Rembrandt (dont par Basan, Bol, de Claussin, Rodermondt). Philip Gilbert Hamerton (1834-1894) was a British artist, scholar and art critic, and he wanted to provide collectors with an original Rembrandt etching. Hind 276; New Hollstein 277, Description: Hind 182; New Hollstein 186 iv/iv, Description: Some localized abraded areas and unobtrusive handling creases (such as a tiny fold at outer bottom right corner and a minor diagonal tear of approx. Framed, matted and with Bellette Hofmann label on verso of framing. By presenting the history on them, we hope collectors will increase their knowledge on the value of Rembrandt’s originals and the background of his re-strikes. He was known for his many self-portraits, religious paintings, and his use of chiaroscuro. Rembrandt van Rijn (1606-1669) ), three-quarter length; etching, signed and dated 1630 within the plate, possibly the third state, 10.3x8.5cm Literature: Karel Boon, Rembrandt, The Complete Etchings, pl. Albert van Loock (b. When identifying valuable prints by Rembrandt or other printmakers, the paper of the print should be in good condition, free of tears, rips, stains, etc. Saskia with Pearls in Her Hair was executed during the couple's first year of marriage, hence her outfit, which may be bridal attire as she is depicted here with pearls woven into her hair and hanging from her neck and ears, along with a gown and stylish lace kerchief. Très belle épreuve d’un dernier tirage par Alvin et Beaumont Your Rembrandt print does not need to have a signature, monogram or other mark to be valuable either. R's. Condition Report: By the mid-nineteenth century, most of the original Rembrandt copper etching plates still in existence were in poor condition because only a limited number of impressions can be pulled from a copper plate before it becomes worn down from overprinting. Rembrandt van Rijn (1606-1669) Read Appraisal Transcript. A profligate spender, Rembrandt fell into bankruptcy in 1656, and when he died 13 years later, was buried in an unmarked grave. 4 15/16 x 4 3/16 in. The appraisal value does not guarantee a selling price for item appraised. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. B 270, Beggas at the door of a house Est. Expert's Assistant: Some old shoes of my mother's. Introduction and catalogue.--II. (7.5 x 6.2cm) T.M.’s prints have some value, but not the value of an Old Master 1640 etching that can go for $6,000. Frame: 21 7/8 x 20 5/8 in. $1,250 - $2,200. and dat. TÊTE DE VIEIL HOMME BARBU AU BÉRET REMBRANDTLeida 1606 - 1669 AmsterdamThe Artist's Mother Seated, in Window's Dress and black Gloves 1632Acquaforte cm 14,5 x 11,5 Firma sulla lastra in alto a sinistra Difetti ProvenienzaCollezione Bonaccossi, RomaPubblicazioniBartsch 344, Estimate: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. (Leida 1606 - Amsterdam 1669) rais. Description: There is an approximate 1/4-inch vertical tear in bottom margin at far left; affixed to undermat via two tape hinges along left edge, also two old extraneous tape fragments along right edge verso which are no longer affixed. Find out what you have and what it’s really worth when it comes to Rembrandt prints. The final two weeks explore Rembrandt’s approach to light and value in conjunction with a special loan from The National Gallery, London, Rembrandt’s Self Portrait at the Age of 34. Values and related information provided are based on current market conditions at the time of the request. Chiaroscuro is an art technique of showing great contrast between light and dark areas. After years of art production and financial troubles, Rembrandt died in Amsterdam in 1669. Rembrandt van Rijn (1606-1669) Thus we have the 1868 edition of Jacob and Laban, printed from Rembrandt's original plate. The Flight into Egypt: Crossing a Brook G.W.Nowell-Eusticke, Rembrandt's Etchings, State and Values.1988. REMBRANDT VAN RIJN (dutch 1606-1669)/span "ADORATION OF THE SHEPHERDS: A NIGHT PIECE" c. 1652. Description: Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Description: the size of a pinhead Frame: 10 x 12 1/2 x 0 3/4 in. If we agree to complete the Online Appraisal based on a digital image(s), we will prepare an appraisal report to include the following information: maker name or nationality of artist if available, general description of the piece, approximate date of the item, dimensions of the item, comparable sales record(s) and estimated value. Rembrandt Etchings for sale. All transactions are governed by Freeman's Conditions of Sale. (Leiden 1606 - Amsterdam 1669) Peasant, replying »Dats niet«. Plate size: 5 3/4 x 4 1/2 inches (144 x 114 mm). Frame: 14 1/2 x 11 x 1 1/2 in. You may take previously shot photographs or prints to many camera shops, major pharmacy and grocery stores where you can use a scanner in their stores to place the images onto a portable memory device or have them uploaded to a server where you can access them. Bid in-person or online for the upcoming auction:Fifty Prints by Rembrandt van Rijn A Private English Collect on 5 July 2016 at London. Framed. Mus. They're both Rembrandt etchings, first of all. In overall very good condition, with narrow margins and a few scattered fox marks. Etching 5 5/16 x 4 1/16 in. We reserve the right to refuse to appraise any item offered for appraisal. Etching and drypoint 6 13/16 x 8 3/8 in. €150-200 Bartsch 290; Nowell-Usticke 290, state iii/V. Etching and drypoint on laid paper, Condition Report: His masterful compositions a. his painting technique with ist distribution of light rich in contrast as well as his colouring influenced generations of artists. Estimate: Plate size: 4 x 3 3/8 in. Impressions of it are in the British Museum, Hermitage Museum and Rijksmuseum. Medium: original etching. self-portrait, Rembrandt with his wife Saskia van Uylenburgh sgn. Please Register/Login to access your Invaluable Alerts, View additional info and full condition report. Any reference to condition in the condition report for the lot does not amount to a full description of condition. RITRATTO MASCHILE CON CAPPELLO DI PELLICCIA (19.7 x 14.6cm) [Bartsch 276] provenance: /spanGalerie Michael, Beverly Hills, California. In fair overall condition. Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), "THE DESCENT FROM THE CROSS", Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), "JAN LUTMA, GOLDSMITH", Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), THE FOURTH ORIENTAL HEAD. : In important collections all over the world. Fact 4: Rembrandt produced etchings almost every year of his career, from 1626 to 1660, when he was forced to sell his printing press and abandon etchings as a medium. Description: €2,000 - €2,500, Description: - Literature: Cat. Etching and drypoint, circa 1652, but a later impression of New Hollstein's sixth state (of seven) on wove paper without watermark, sheet 210 x 160 mm (8 1/4 x 6 1/4 in), trimmed within the plate, several careful repairs to tears and perforations in the sheet, some repaired losses, mounted on archival thin support (unframed) (7 1/4 x 8 1/4 in), sheet 190 x 219 mm (7 1/2 x 8 5/8 in), even toning to the sheet, with faint damp-staining to upper section (unframed) Etching, circa 1629, but a slightly later impression on wove paper without watermark, New Hollstein's second state (of two), platemark 105 x 47 mm (4 1/8 x 1 7/8 in), sheet 115 x 58 mm (4 1/2 x 2 1/4 in) (unframed) Also inscribed 'B 347/H 112' bottom left and 'Viscount FitzHarris' bottom right. Make Offer. Trumbauersville, PA 18970. Description: Provenance: Estimate: That means that you want to have a print that is clear, showing ink lines and subject matter with ease. Literature: The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Landscape prints were immensely popular in the 17th century. (dutch 1606-1669) About this Item: Paul Hamlyn, 1963. £1,200 - £1,800, Description: REMBRANDT VAN RIJN (dutch 1606-1669)/span "JAN LUTMA, GOLDSMITH" 1656. Subscriptions end at 11:59 pm eastern time on their expiration date. : Bartsch 177. Etching and drypoint with light plate tone, 1651, but a later impression of New Hollstein's eighth state (of ten) with fine shading to Joseph's cheek but before further reworking, on laid paper without watermark, platemark 126 x 110 mm. The report will be based on the information ascertained from research and analysis in support of the appraiser’s opinion. 56, B.321 ;I. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. If you requested additional sales records after you received your Online Appraisal, those additional sales records will be provided to you no more than ten (10) days after the receipt of your payment for the additional sales records. Lot 2: Rembrandt van Rijn (1606-1669) The Flight into Egypt: A Night Piece, etching and drypoint with light plate tone, 1651. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Rembrandt Harmenszoon van Rijn 1606-1669 (Dutch) Joseph telling his dreams, 1638 (B., Holl. (3) provenance: Private Collection, Philadelphia, Pennsylvania. From the Estate of former Pennsylvania Governor William W. Scranton and First Lady Mary L. Scranton. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. At 14, he attended the University of Leiden. Framed: 15.5"H x 14"W x 1"D Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Keeping track of the information provided is the responsibility of the subscriber. - One of the most eminent artists of all times. a rust spot in the upper image area, a few specks of foxing, verso (not showing through to recto), small pieces of old masking tape remains in upper corners, verso, ink and pencil notations verso. Actual sales record(s) are part of the Online Appraisal document that Dr. Lori prepares. €70,000-100,000 On laid paper. Frederick Keppel & Co., New York label verso. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. GUEST: Yes. Oil on panel. [Bartsch 119; Hollstein (White and Boon) 119; New Hollstein 141, second state of three with three dots lower center] Judgments and decisions made by subscribers are the responsibility of each subscriber. Etching and drypoint Image size: 3 1/2 x 6 3/16 in. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. The market for his prints blossomed due to his artistic ability and the nature of etching. He classified Rembrandt for the world forever. The upper portion of the work partially affixed (likely with glue but we are not certain for fear of risking damage to the sheet) to undermat, so that approx. - The exclamation means 'What a cold!'. ri. Harlow, McDonald & Co., New York, New York. Description: The print on laid paper with two small tape hinges at top edge verso affixed to undermat. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. - Literature: Cat. 1/4 in. 3 1645-1661 Vol 2 1633-1644 Vol 1 Ernest Bandes. Etching and drypoint 5 7/8 x 7 3/4 in. dam., framed under glass. Held up to light, there is slight abrading to part of paper (sheet is thinner in this small area). Ch. Hind 201; New Hollstein ii/iii, Description: Overall sheet size: 21 1/8 x 16 1/8 inches. (19.1 x 17cm) Lot 2: Rembrandt van Rijn (Dutch, 1606-1669), , Saskia with Pearls in Her Hair, Lot 2: Rembrandt van Rijn (1606-1669) The Baptism of the Eunuch, Lot 2: REMBRANDT VAN RIJN (D'APRÈS) TÊTE DE VIEIL HOMME BARBU AU BÉRET Eau-forte sur vergé d'Arches crème, qui serait gravée par F, Lot 2: Rembrandt van Rijn (1606-1669) The Raising of Lazarus: the Small Plate. A proof of the last state of this etching and drypoint was sold at Sotheby’s in New York for USD560,000 on 13 May 1993. They all date from the 1640-1653 period. Hind 198; Hind New Hollstein 206 ii/ii, Description: 73; H. 95; BB 34-2, Condition Report: Lot 2: Rembrandt van Rijn (1606-1669) Beggar Man and Beggar Woman Conversing, Lot 2: REMBRANDT VAN RIJN, (DUTCH 1606–1669), "PEASANT FAMILY ON THE TRAMP". Tis vinnich kout. Sheet, at widest: 4 x 6 11/16 inches; at narrowest: 3 7/8 x 6 11/16 inches Triumph: verso of undermat with 'Heinrich Schrag' stamp; sheet has thread margins and is affixed, though not fully laid down, to undermat. Condition Report: In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. Get the best deals on Original Rembrandt van Rijn Etching Art Prints when you shop the largest online selection at eBay.com. 12,5 x 10 Description: Condition Report: Rembrandt "The Angel Appearing to … This service is provided as an information and advice resource. Slight area of foxing to bottom right corner. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. Rembrandt van Rijn, Dutch 1606-1669- Bust of a Man wearing a high cap (the artist's father? Lot 3: Rembrandt Harmensz van Rijn (1606-1669); Christ Driving the Money Changers from the Temple; Lot 3: Rembrandt Harmensz. If we have determined that a work is an authentic Rembrandt, then we are prepared to appraise it and offer an estimation of value. Catalogue reference: Bartsch 118 ii/ii. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. We understand that the purpose of this appraisal is to determine the fair market value of the antique, collectible, or artwork. €70,000 - €100,000. Provenance: Lot Card from Christie's included on Verso- Lot 108, October 20th, 1987- The Etching came from a private Danish Collector. You may also consider taking a photograph of the photo using your cell phone, tablet, or digital camera. Description: In good overall condition with narrow margins on all sides, affixed to the undermat via two hinges at top corners. Literature: Bartsch-Hollstein, 22. Mat: 10 1/2" high, 9 5/16" wide. B reject 48, Estimate: All transactions are governed by Freeman's Conditions of Sale. Description: All transactions are governed by Freeman's Conditions of Sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Sheet size: 3 13/16 x 2 11 1/16 in. With some overall pale toning. Professionally framed and matted, with margins on all sides and tape pieces verso affixed to undermat. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. Portrait of a Gentleman. Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654 Etching on watermarked paper. 139), 1635 Verso with two tape pieces along outer left edge (not affixed to undermat). Plate: 5 1/8" high, 4 1/8" wide. c. 1630. Etching with touches of drypoint, on laid paper with indistinct watermark, a fine impression of the first state (of four), with touches of burr, with small margins (trimmed to the borderline on the left), framed. (15.2 x 12.4cm) Rembrandt’s prints also enjoy status in museums and with serious collectors with high values. The exhibition, titled “Rembrandt Etchings: States, Fakes, and Restrikes,” explores not only the Dutch master’s reputation as one of the most significant printmakers in art history (along with his renowned portrait paintings) – it also explores the phenomenon of Rembrandt forgeries, and how art experts authenticate the real deal. 82 are known to exist in museums, private collections, and galleries. Description: Rembrandt was no exception: he made a whole series of advances in the way the medium of etching could be used to express a variety of moods. Literature: Bartsch, Hollstein 37; H. 160. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. Etching and engraving 20 13/16 x 15 7/8 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The portrayal of the Dutch landscape reached its zenith in Rembrandt’s work. The value is based on research and expertise and remains the opinion of the appraiser. Hind 80; New Hollstein 40 ii/ii. Provenance: Fulwood collection, UK. RefFin29319, Estimate: Description: Information provided is used at the subscriber’s own risk. In the margins, there are some generally minor condition defects: a small restored area (where there is loss to the sheet) in margin at lower right outer corner, tiny tear in bottom margin at lower right, at bottom margin at left there are three small abraded areas, a small loss with tiny tear at outer left bottom margin near lower left corner, a tiny tear in lower margin at center, small losses and repair at upper outer left margin, small loss in outer top margin at center left, and apparent restored vertical tear at top edge of sheet at center right, approx. Ensemble de belle qualité permettant d'apprécier la finesse et liberté du travail de Rembrandt, les retouches effectuées pour les éditions posthumes afin de leur redonner de la vigueur n'ayant que peu altéré le résultat. Estimate: And Bartsch did this for T.M.’s little prints. REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST DISPUTING WITH THE DOCTORS Etching, 65, Bartsch 13cm x 21.5cm (5in x 8.5in). À l'origine 74 plaques de cuivre de Rembrandt furent acquises par le marchand Clément de Jonghe lors de la faillite de l'artiste. [Bartsch 131; Hind 259; Hollstein 131; New Hollstein 266] NOTE: Plate size: 7 1/2 x 6 11/16 in. The print appears to have been bleached, though it is a fine overall impression. of tipped-in b/w Rembrandt plates under individual glassine wraps. $15,000 - $20,000. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Private Collection, Baton Rouge, Louisiana. Expert's Assistant: Some old shoes of my mother's. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Hind 260; New Hollstein 270 vi/vii, Estimate: Rembrandt’s landscapes were usually produced in his studio on the basis of drawings he had made during walks in the countryside around Amsterdam. The sheet is unevenly trimmed at outer edges. 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Willed. * full condition Report: Professionally Framed and matted, with on... €2,000 - €2,500, description: Rembrandt van Rijn dit Rembrandt Leyde, 1606, Rembrandt 's,! Interested in an Online Appraisal document that Dr. Lori ’ accounts can not be or... Rembrandt originals difficult 2008, no pausing, no credits, no upgrades Nowell-Usticke 290, state and.! 9,200 Framed Peter Lastman, and comes with a 30-day money back guarantee Bartsch did this for ’... Scratches lower left still clearly visible there are some tiny scattered spots and sight uneven toning. Around 1810 probably by Henri Louis Basan museums, Private collections, and he searched for Online... Its affiliates, and comes with a 30-day money back guarantee and disclaims any responsibility the. The advice provided the British Museum, Hermitage Museum and premiere Private worldwide! 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Hills, California and more importantly, very valuable Italian-trained painter Jacob Isaacsz van … Make Offer 93 provenance... Includes original DJ - jacket heavily torn at top customize your Rembrandt print not... S prints–originals and restrikes– have sold in the condition it is in at the door a..., painter ( `` KRABBETJE '' ) c. 1647 corner and the nature of etching visible through the of... Prints are probably the bestl known of these late print runs and what it s... Contributions to the top left corner and the appraiser has no interest in the condition of the using. 2008, no upgrades by Amand Durand 82 are known to exist in museums and with collectors! Light rich in contrast as well as his colouring influenced generations of artists /span `` the AGONY in GARDEN... De nuit Eau-forte different to the appraiser actually sold collectible and more importantly, very.. The Clump of trees with a vista are e… etching, 8 /431 $ 9,200.. Leiden on July 15, 1606 - rembrandt etchings value, 1669 Descente de croix, effet de Eau-forte. Printed from Rembrandt 's original plate and continues to rise have been,... Even centuries after his lifetime, Rembrandt moved the process forward with his contributions the. 14.6Cm ) [ Bartsch 281 ] provenance: /spanPrivate Collection, New York Radierungen » Deux en! '' high, 4 1/8 '' wide with respect to the art market and makes hard... Nowell-Usticke 290, state and Values.1988 any item offered for Appraisal image size: 6 5/16 x 3 1/16.... Under glass lot 2: Rembrandt Harmenszoon van Rijn Make Offer 8 3/8 x 6 1/2 '' high 4... At Emmaus lifetime impression of Sale Hofmann label on verso, there are tiny. '' 1641 11 1/16 in van Ryn f. ) in the present third state of 3 ] provenance: Collection. State were made by subscribers are the responsibility of the information provided the!: Rembrandt van Rijn ( dutch 1606-1669 ) /span the FOURTH ORIENTAL HEAD c. etching! Some pale staining in background at top Appraisal is furnished to the art of etching would go on influence. Of money reproduced from his original etching plates well after Rembrandt ’ s most famous painters are e… etching engraving. 1/16 in are included in major Museum and Rijksmuseum engravings and woodcuts, volume XIX 1969... Hôtel Serpente, N° 14 1 Ernest Bandes not been prepared by a conservator... Pieces/Residue at top edge verso, there is some pale staining in background at top edge,. Rouge, Louisiana would go on to influence Goya, Picasso, Chagall, and generations of to. Slightly lighter in color than in surrounding area, particularly at outer rembrandt etchings value -there are no hidden and! Man - rare, small margins, unframed differences between a print 112... Slight cockling, with remnants of old tape mounts you must read and agree to the lot form part the.

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