H.) 189 by 294 mm, black chalk, bears initials, lower left: W.V.V.J. There are tape mounts verso in upper left, lower left, and upper right corners - not in lower right corner. In another of the drawings of the day's festivities, in Rotterdam (MB1866/T 210, Robinson & Weber, vol. I, p.120 and vol. III pl. Provenance:Probably with C.G. Description: The size of the vessel was astonishing; Pepys, who took a tour of the vessel records in his diary entry of 17 January 1660/61 that "My Lady Sandwich, my Lady Jemimah, Mrs. Browne, Mrs. Grace, and Mary and the page, my lady's servants and myself, all went into the lanthorn together". Another drawing in Rotterdam (MB 1866/T 398, Robinson & Weber, vol. Attributed to Willem van de Velde (1633-1707), Dutch BOATS AT LOW TIDE; Oil on cradled panel21" x 28" - 53.3 x 71.1 cm.Provenance: Estate Collection, Kingston, Ontario;Private Collection, Toronto, Estimate: Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. French inscription under the title: "Gravé d'apres le Tableau original de Vandervelde de 15 pouces de large sur 12 pouces de haut. - Paper along margins occas. Painting exhibits multiple layers of varnish with some light yellowing to layers and surface soiling. Willem Van De Velde the younger (1633-1707)-Attributed ships in choppy sea oil on canvas framed, Estimate: The decoration of the ship is so elaborate that one could at first take it for a work of fantasy. This intimate and delicate drawing of a ship is drawn in pen and brown ink on a piece of vellum (parchment made fromcalf skin); admire especially the wonderful details of the ship, a Dutch merchantman, sailing in coastal waters, with hercrew hoisting up a sail, we see the rigging clearly, as well as the details of its cannons on the side. overall: 18 x 14-3/4 in., framed NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.". Condition Report: Van de Velde?s maritime drawings may be divided roughly intotwo groups: those which record events at sea or off the coast?such as naval battles?and those which portray ships. Ces penschilderijen faisaient partie d'une longue tradition de dessin à la plume, encre et pinceau imitant la technique de la gravure, depuis Hendrick 18.7 x 25.8 cm. [the ship the Courtesan made by Cornelis Dircksz.? (24.5 x 39cm.) In overall good condition. €1,200 - €1,500. Pen and brown ink over traces of black chalk on vellum, within partial faded black framing lines; signed in brown ink, lower right corner: ... V.Velde ; the first boat inscribed on a plaque on the stern: VALCK. Estimate: Charles I had insisted that the coloring be limited to gilt and black, giving her a remarkably dramatic appearance and the Dutch, who fought against her in the Anglo-Dutch wars referred to her as the 'golden devil'. Son of: Willem van de Velde the Elder (1611-1693) Painter, son of Willem van de Velde, born in Leyden, W Netherlands. The English squadrons are spreading out: in the middle-ground left is Admiral Prince Rupert (Prins), leader of the White Squadron, right of center the Duke of York (de ducke) and slightly ahead of him to the right the Earl of Sandwich (zantwits) commander of the Blue Squadron. Sold in a modern frame. On 11 June 1672, the Dutch fleet attacked the combined French and English fleets at Sole Bay, off the Suffolk coast. Drawings such as the above-mentioned sheet in Rotterdam probably relate to projects and commissions such as these, and indeed on one drawing of the battle, in the University Print Room, Leiden, Van de Velde has actually noted in his inscription that the events are as in another drawing, "but arranged with a higher horizon at the wish and command of the King and the Duke to make it suitable for a tapestry.." (Robinson 1958, p. 10, note 1).The present drawing is, however, less highly finished and drawn from a lower point of view than the Rotterdam work, and has much less wash on the ships and the sea. The Battle of Solebay was the first naval encounter in the Third Anglo-Dutch War. Condition Report: Willem van de Velde the Younger (Leiden 1633-1707 Greenwich) €1,500 - €2,000, Estimate: The absence of a condition report does NOT imply that an an object is free of defects or restoration. : We are grateful to Mr. Fred Meijer for his assistance in cataloguing this lot. Along the upper row of guns are Roman trophies as well as the cross of St. Andrew and towards the stern are signs of the Zodiac, and also a Phoenix flanked by the royal cypher. Description: Willem van de Velde I (Leiden c.1611-1693 London) and Studio An English Fourth Rate ship-of-the-line, thought to be the 46-gun H.M.S. Sign in to view your bids, favorites & more! VELDE, WILLEM VAN DE I. 73 x 86 cm, Estimate: On the foredeck a sailor is bending over with his hand on the rail, looking out toward the viewer. $7,000 - $9,000, Description: The leader of the Fourth Squadron, Lieutenant Admiral Stellingwerf has been killed (Stellingwerf doot), his ship just visible at the upper right. £18,000 - £25,000. At about one o'clock, Admiral Edward Montagu, Earl of Sandwich and commander of the Royal Prince, broke through the Dutch fleet. 578, The Tiger with Sweeps Out, which is numbered 11. Description: It may have been used simply as a means of replication or to reverse a ship to fit into a composition. ƒ20,000 - ƒ30,000 ($10,438 - $15,657). Black chalk over gray wash, an added horizontal strip at the top;bears initials lower left: W. V. V J;inscribed verso, possibly by the artist (obscured by added strip), Estimate: 15-1/2" x 25", framed 21-1/8" x 30-1/2" Lot 18: Willem van de Velde the Younger (1633-1707), Lot 19: CIRCLE OF WILLEM VAN DE VELDE THE YOUNGER (LEIDEN, Lot 23: Willem van de Velde the Younger (1633-1707)-circle, Ships in stormy see at, Lot 31: Le Calme Engraving. 42?50). and293/44/29 and L.2603bPen and brown ink on vellum128 by 164 mm. Estimate: Other Notes: Bears three stickers, verso, one inscribed Jose L. de Pedroso, one Mr. de Pedroso, one Marquis de San Carlos de Pedroso hi[??] --------------- melcanderen van 5 vellen [fought in the year 1672 in Sole Bay] [that is to say 11 [erased 12] papers attached to one another from 5 sheets]and in a later hand in ink: 1672 -- korsines? appears to be in good condition; not examined out of the frame, Estimate: 30-31). ), a. and farlok(?) (Moored ships). Framed. 1876. Sold unframed. 110.7 The Duke of York's flagship, The Prince, was the main target of the Dutch. 1660" in pen in lower right corner, framed. Description: We see the Eendracht in the lower center consumed by flames and with black smoke pouring out to the right. He returned to London to sell pictures he'd bought in Paris, and in 1749 he began to publish line-engravings, mostly of 17th-century paintings. WILLEM VAN DE VELDE THE YOUNGER (ATTRIBUTED TO) (Leiden 1633-1707 Greenwich) A Tall Ship near a Coast. FOLLOWER OF WILLEM VAN DE VELDE (DUTCH, 1633-1707) Man o' war in a storm Oil on panel 7½ x 10in. "Naval Combat" By Van De Velde Framed Original Oil On Canvas, Image Size: 44x33". Inspection under UV light reveals: numerous infillings throughout the sky, particularly upper left and to flags; strengthening to the details of the boats and figures, particularly lower right; and a discontinuous vertical line of restoration to the centre of the canvas. Willem van de Velde the Younger. It also clearly depicts the ship before her renovation, a state in which Van de Velde, who traveled to England in 1660 at the earliest (see Robinson 1990, p. xii), could not have known her. 234-35). Eight studies: black chalkOne study: black and white chalk on blue paper;various sheets inscribed: hu(? Description: "Ship on the Breakers by a Rocky Coast", 1666 Van de Velde l'Ancien fut probablement l'inventeur de cette technique rare appliquée à ses marines, il en fut en tout cas le principal promoteur. x 19 9/16in). The lightly sketched building with the square tower in the center background may, however, be Lambeth Palace (cf. 16.7 x 10.2 cm. Willelm van de Velde the Younger (1633-1707 )-attributed, Ships and boats at calm sea; oil on canvas, framed. The description of the Dutch fleet is largely a list of casualties. All Willem Van De The Younger Velde paintings … II: We are grateful to drs. I. The presence of the small balcony or semi-circular gallery on the hastily drawn stern confirms that this is the same vessel. Willem van de Velde the Elder (Leiden 1611-1693 London) $5,000 - $8,000. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. CAD6,000 - CAD8,000, Description: )numbered in a later hand in graphite, upper right corner, recto: 7graphite and gray wash on seven joined sheets of paperNOTEBetween 1652 and 1674 the Dutch and English engaged in three maritime wars stemming largely from their two nations' commercial rivalries. Antique etching on thick laid paper after the original oil on canvas by master etcher Leon Gaucherel (French, 1816 - 1886). © 1986-2021 Invaluable, LLC. ; 69.5 by 91 cm. There is another drawing of her in Rotterdam of c. 1685 (MB 1866/T 408, Robinson and Weber, vol. Description: ), Estimate: "Dutch Shipping Boats Colliding in a Heavy Sea", first quarter 19th century Only one other example of this type of drawing by van de Velde has appeared at auction in recent times (sold Amsterdam, Sotheby's, 15 November 1995, lot 115). Willem van de Velde the Elder (Leiden 1611-1693 London) Ships at an anchorage 11-1/4 x 19-1/2 in. Lot 159: WILLEM VAN DE VELDE THE YOUNGER (ATTRIBUTED TO) (Leiden 1633-1707 Greenwich) A Tall Ship near a Coast. In a gilded and painted wooden frame. It would appear that Van de Velde originally sketched both these figures more to the left, but then revised his drawing in order to highlight the events on the stairs. She was attacked with cannon and fireships and was so badly damaged that the Duke had to transfer his flag to the St. Michael. We offer a huge selection of posters & prints online, with big discounts, fast … The turning point of this important battle between the English and the Dutch fleets was the destruction of the Eendracht, the Dutch flagship. Eduard Trautscholdt of C.G. Description: DUTCH SHIPPING OFF THE COAST In 1753 he became engraver to Frederick, Prince of Wales, and engraved several of the pictures in his collection. Willem van de Velde started off painting mainly calm seascapes with groups of fishing boats near the coast. Seventeenth?century documents generally refer to him as ?Const ende Scheepsteijkenaer?,indicating that he was both an artist and a drawer of ships. This drawing, together with a few other drawings, represents an importanttransitional phase in the development of the innovative technique re?invented by Van de Velde in the 1640s, known as ?penpainting? The present drawing is, however, the most elaborate and finished of the known drawings of The Sovereign of the Seas. ATTRIBUTED TO WILLEM VAN DE VELDE THE ELDER (DUTCH, 1611-1693) Dutch vessels under sail Black chalk and grey wash 6 5/8 x 4¾in. SEE ILLUSTRATION PLATE CXXXIX. Description: Choose your favorite willem van de velde paintings from millions of available designs. Retouching visible to margins. Almost disappearing amidst the decoration of the elaborate quarter-gallery are two much more elegant figures standing at the rail. 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